Recorded without the input of either Nico or Andy Warhol, White Light/White Heat was the purest and rawest document of the key Velvets lineup of Lou Reed, John Cale, Sterling Morrison, and Maureen Tucker, capturing the group at their toughest and most abrasive. The world of pop music was hardly ready for The Velvet Underground’s first album when it appeared in the spring of 1967, but while The Velvet Underground and Nico sounded like an open challenge to conventional notions of what rock music could sound like (or what it could discuss), 1968’s White Light/White Heat was a no-holds-barred frontal assault on cultural and aesthetic propriety. And that group is the classic-quartet lineup of The Velvet Underground – singer-guitarist Lou Reed bassist-organist and viola player John Cale guitarist-bassist Sterling Morrison and drummer Maureen Tucker. Recorded in a matter of days at the end of the summer of 1967, a season in which everything seemed possible in rock and much of it happened at now-mythic speed, White Light/White Heat is an album that reeks of the gritty NY street life and could only have been made in New York, by one band. The Velvet Underground’s White Light/White Heat is one of the most confrontational and inspirational second albums ever made by a rock band. Studio Masters, Official Digital Download – Source: | Front cover | © Polydor His image of the almost-empty recording studio appeared on the back cover of the album.The Velvet Underground – White Light / White Heat (1968/2013) įLAC (tracks) 24 bit/96 kHz | Time – 40:20 minutes | 937 MB | Genre: Rock As the Lost Loaded Shots notes: "In 1970 Dutch photographer Henri ter Hall, then living in New York City, shot The Velvet Underground during the recording sessions for Loaded. ![]() The photograph used for the back cover was taken by Henri Ter Hall. It shows the studio setup for the band, but perhaps tellingly only features Doug Yule (John Cale's replacement after White Light/Whiter Heat), who had taken a more prominent role.Īccording to the Wikipedia entry: "Reed also felt snubbed by being listed third in the credits on the album and by the large photo of Yule playing piano and by all the songwriting credits improperly going to the band, rather than Reed himself." The back cover provides a peak into the recording process, or at least the recording studio. It is the last albu m to feature Lou Reed, who quit shortly after it had been recorded. And ideally, with this mood reflected on the back cover.Ĭhoosing Loaded belies that fact that it was recorded amid growing tension within the band. ![]() Limited overdubs and no metronome in sight. ![]() Loose sounding records that really sound like a band in a room playing together. As such it is the first to feature in what I hope to be a series of 'feel' albums. The Rolling Stone review of the time noted that "the Velvet Underground on Loaded are more loose and straightforward than we've yet seen them".
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